COMPATIBILITY OF EXPRESSION AND IMAGE IN BAHROM ROZIMUHAMMAD'S POEM "AFSUNGAR"

Abstract

The article analyzes the harmony of expression and image in lyric
poetry, the synthesis of the mood and perception of essence, the
integrity of form and content in literary interpretation on the example
of the poem "Afsungar" by Bahrom Ruzimuhammad. It observes the
connection between the expression of emotion and the nature of the
creator, the ratio of the intensity of the flow of consciousness and the
change in the size of the imagination, the evolution of artistic speech
and the ways in which poetic logic is formed. Analytical skills actually
require a focus on observation, instruction, comprehension, perception,
and observation, in which the materialization of the imagination — the
definition of the edge of the tag — rises to the level of the main
criterion.